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Motown Royalty - The Temptations and The Four Tops
Motown Royalty - The Temptations and The Four Tops
FESTIVAL POPS & FIREWORKS
Ruth Brown - BLUES IN THE NIGHT
BEDTIME STORIES IN WORDS & MUSIC
MAUREEN MCGOVERN - Broadway Superstar
BELLEAYRIANS II
KATHY MATTEA
Giuseppi Verdi's - RIGOLETTO
GOLDILOCKS AND THE THREE BEARS - Free Children's Opera
EMMYLOU HARRIS
Special Guest Buddy Miller
TAYLOR EIGSTI - Jazz piano prodigy in the Jazz Club
CHICK COREA TRIO
RONI BEN-HUR QUARTET - Belleayre Jazz Club
JANE MONHEIT - Hot Young Jazz Vocalist
Free Children's Jazz Concert - HVYJO
AILEY II - REVELATIONS AND MORE
THREE DOG NIGHT
"Goldilocks and the Three Bears"

Children’s Opera Theatre

Donald Westwood, Artistic Director

Sunday, July 31 at 1 p.m.

Order Tickets FREE
Web Site

www.operamgt.com

Belleayre Festival Orchestra

Will the mystery of the missing porridge be solved? We all know it will. But that’s just the beginning of the adventure when Goldilocks meets Papa Bear, Mama Bear and Bubba Bear at their woodland vacation retreat.

Famous operatic music by composers such as Mozart, Rossini and Verdi, plus a new script and lyrics by Donald Westwood, draw the young audience into the action.

Children ages three to ten will delight in this new interactive introduction to opera. Previous productions by the Children’s Opera Theatre at Belleayre include “Little Red Riding Hood,” “The Frog Prince” and “Merlyn and Arthur.”

 

Don Westwood, Opera Stage Director
Kingston Daily Freeman music critic Kitty Montgomery called last season’s “Carmen,” “brilliant!” Additional regional reviews have celebrated Belleayre productions as “ennobling and heart wrenching” and “a perfect performance.” Previous productions by Donald Westwood have been called “exemplary” by The New York Times, “very special” by the New York Post, and “a welcome addition to this city’s music” by New York magazine. Opera News magazine has recognized Donald Westwood’s productions as “a dynamic alternative to the giants at Lincoln Center.”

The Belleayre Opera program is sponsored, in part, by a grant from the Eleanor Naylor Dana Charitable Trust.

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